He was the fifth chief master sergeant appointed to this ultimate noncommissioned officer position.Ĭhief Gaylor was born in Bellevue, Iowa however, most of his youth was spent in Indiana. on matters concerning welfare, effective utilization and progress of the enlisted members of the Air Force. Stetson and Chiefs of Staff of the Air Force Gen. Gaylor was adviser to Secretary of the Air Force John C. In the Night Shades and Phantoms, Rauschenberg used metal as a pictorial device that references the reality of an industrialised world while also serving as a reflective surface that captures images, impressions and memories.Chief Master Sergeant of the Air Force Robert D. Rauschenberg's use of metal can be traced back to his earlier sculptural assemblages made with industrial waste and scrap metal, as in his Elemental Sculptures (1953/59), as well as in his Combines (1954-64) and his later Gluts (1986-89/1991-94). From the mid-1980s onwards, following his sojourn in Chile, he swapped canvas for sheets of first copper, then brass, bronze and in the case of the Night Shades and Phantoms, brushed and mirrored aluminium. One of the most influential artists of the twentieth century, Rauschenberg revolutionised the picture plane by bringing together painting, photography and sculpture in a highly inventive way. Organised in collaboration with the Robert Rauschenberg Foundation, the exhibition will also present a selection of photographs by the artist used as source images for the paintings on view. (I try to act in the gap between the two.)'. The works respond to their surroundings, playing with the viewer's perception and bringing the world into the paintings, recalling Rauschenberg's famous maxim: 'Painting relates to both art and life.

Rauschenberg creates dream-like imagery which appears and disappears as a result of light, shadows and reflections across the artworks' surfaces.

Robert Rauschenberg’s Night Shades and Phantoms are two series of metal paintings from 1991, composed of silk-screened photographic images and gestural strokes on aluminium supports. Made during his decade-long experimentations with metal, these paintings are characterised by their grayscale palette, which ranges from the Night Shades' painterly chiaroscuro to the Phantoms' mirrored surfaces and ethereal translucency.

Riobet 31